"There are all types of love in this world but never the same love twice."
F. Scott Fitzgerald (via glamour)
"Therefore, dear Sir, love your solitude and try to sing out with the pain it causes you. For those who are near you are far away… and this shows that the space around you is beginning to grow vast…. be happy about your growth, in which of course you can’t take anyone with you, and be gentle with those who stay behind; be confident and calm in front of them and don’t torment them with your doubts and don’t frighten them with your faith or joy, which they wouldn’t be able to comprehend. Seek out some simple and true feeling of what you have in common with them, which doesn’t necessarily have to alter when you yourself change again and again; when you see them, love life in a form that is not your own and be indulgent toward those who are growing old, who are afraid of the aloneness that you trust…. and don’t expect any understanding; but believe in a love that is being stored up for you like an inheritance, and have faith that in this love there is a strength and a blessing so large that you can travel as far as you wish without having to step outside it."
Rainer Maria Rilke, Letters to a Young Poet
In the art museums of Russia, women sit in the galleries and guard the collections. When you look at the paintings and sculptures, the presence of the women becomes an inherent part of viewing the artwork itself. I found the guards as intriguing to observe as the pieces they watch over. In conversation they told me how much they like being among Russia’s great art. A woman in Moscow’s State Tretyakov Gallery Museum said she often returns there on her day off to sit in front of a painting that reminds her of her childhood home. Another guard travels three hours each day to work, since at home she would just sit on her porch and complain about her illnesses, “as old women do.” She would rather be at the museum enjoying the people watching, surrounded by the history of her country.
1. Stroganov Palace, Russian State Museum
2.Matisse Still Life, Hermitage Museum
3.Konchalovsky’s Family Portrait, State Tretyakov Gallery
4. Veronese’s Adoration of the Shepherds, Hermitage Museum
5. Rublev and Daniil’s The Deesis Tier, State Tretyakov Gallery
6. Michelangelo’s Moses and the Dying Slave, Pushkin Museum
7.Malevich’s Self Portrait, Russian State Museum
8. Nesterov’s Blessed St Sergius of Radonezh, Russian State Museum
9. Petrov-Vodkin’s Bathing of a Red Horse, State Tretyakov Gallery
10. Kugach’s Before the Dance, State Tretyakov Gallery
"In Greek mythology, the Labyrinth (Greek λαβύρινθος labyrinthos) was an elaborate structure designed and built by the legendary artificer Daedalus for King Minos of Crete at the palace Knossos.
Its function was to hold Minos’s son, Minotaur, a mythical creature that was half man and half bull.
Daedalus had so cunningly made the Labyrinth that he could barely escape it after he built it.
Every nine years, Minos made King Aegeus pick seven young boys and seven young girls to be sent to Daedalus's creation, the Labyrinth, to be eaten by the Minotaur.
After his death, Minos became a judge of the dead in the underworld. The Minoan civilization of Crete has been named after him by the archaeologist Arthur Evans.
In colloquial English, labyrinth is generally synonymous with maze, but many contemporary scholars observe a distinction between the two: maze refers to a complex branching (multicursal) puzzle with choices of path and direction; while a single-path (unicursal) labyrinth has only a single, non-branching path, which leads to the center. A labyrinth in this sense has an unambiguous route to the center and back and is not designed to be difficult to navigate.”
"Success is liking yourself, liking what you do, and liking how you do it."
Maya Angelou (via buddhabrot)
"Make a radical change in your lifestyle and begin to boldly do things which you may previously never have thought of doing, or been too hesitant to attempt. So many people live within unhappy circumstances and yet will not take the initiative to change their situation because they are conditioned to a life of security, conformity, and conservation, all of which may appear to give one peace of mind, but in reality nothing is more damaging to the adventurous spirit within a man than a secure future. The very basic core of a man’s living spirit is his passion for adventure. The joy of life comes from our encounters with new experiences, and hence there is no greater joy than to have an endlessly changing horizon, for each day to have a new and different sun. If you want to get more out of life, you must lose your inclination for monotonous security and adopt a helter-skelter style of life that will at first appear to you to be crazy. But once you become accustomed to such a life you will see its full meaning and its incredible beauty."